Thinking about Key Details

31 05 2013

MP900384792As the first cluster of standards for both literature and informational text fall under the umbrella of key ideas and details, it is clear that they are important concepts. But what exactly are the key details students should adhere to? In literature, the elements of narratives are delineated for primary grades, along with questioning. However, aren’t the details students need to highlight relative to the task? If students are trying to unpack the characters, then perhaps the most significant details would be different from those that depict the setting. And while significant plot points should reveal elements of the character, they may not give a complete picture. This got me thinking about how to teach key details so that we understand the gist of what we read, but also have clarity in dissecting different elements of what we read. Although the standards do not mention minor details, students must also be able to distinguish between the details that represent the crux of what they are examining and the cursory details that enhance the story. Perhaps we can examine stories with a whole-part-whole approach. What are the key details that disclose the plot? What details illuminate the characters? What details paint the setting? Which details support the theme? Were these details related to the plot, characters, setting, or all? Can we pull from those key details to determine the theme? Which details are key to answering text-dependent questions? Perhaps through our process of close reading, we can read for each purpose, map out the important details for each area, and then analyze how they cross over. Perhaps then, we could all develop more clarity! Below is an idea of how to organize a class chart examining these different elements. Of course, there are still key details to think about for informational text, but I will save that for another day!

Examining Key Details

Title of Story:

Focus Plot/Events Setting Characters Theme Questions
Key Details




Understanding Genre

24 05 2013

Common Core explicitly outlines different, yet overlapping standards for both literature and informational text. This is a significant change in focus, demanding us to evaluate how the two differ, how they overlap, and what types of text we are being called to use. The literature standards within Common Core relate to fictional works. Traditionally, we have spent a heavy emphasis on narrative stories. However, the multiple standards explicitly outline the use of poetry . The focus of using complex text allows us to open the doors to a variety of literature that will demand students to inspect the content and structure in depth. Fictional literature may include narratives, poems, letters, dramas, plays, and essays. Literature that is nonfiction is addressed in the informational text standards, and may include biographies, recipes, how-to books, facts books and so forth. Artwork and illustrations should also be examined as they can reveal information or a story.

Therefore, while we are teaching standards for literature and informational text that mirror each other, we must also be cognizant of strategically teaching the genres as they require different mindsets for reading. As shown in the table below, these genres have different text structures and features, which overlap and need to be made explicit for students. Although the literature and informational text standards are similar in many ways, the way students approach reading should depend on the type of text they are reading. A narrative is a story. A poem is a written piece with a sense of musicality and entrenched with literary devices. Dramas and plays involve conflict and are created with a performance in mind. Expository text tells information. Generally the primary purpose of a narrative is to entertain, the purpose of poetry is to describe, the purpose of a drama or play is to entertain, and the primary purpose of expository is to inform. Therefore, it is critical that educators explicitly teach students how to identify the genre they are reading and keep track of information based on that text’s structures and features.

Analysis of Genres

Genre

Literature: Narratives

Literature: Poetry

Literature: Drama/Plays

Informational Text: Expository

Definition

Story

A piece written with a sense of musicality

A story that is intended for performing that focuses on character dialogue & conflict

Non-fiction, informational text used to explain, describe, or inform

General Author’s Purpose

Entertain

Describe

Entertain

Inform

Structure

Beginning, Middle, End

Paragraphs

Stanzas

Can take on a shape

Beginning, Middle, End

Dialogue

Description

Sequence

Compare/Contrast

Cause/Effect

Question/Answer

Paragraphs

Features

Story Elements

Line Breaks, White Space

Story Elements

Topic & Supporting Details

Descriptive Literary Tools

Poetry features literary tools, however, they can be used in all types of Fictional Literature. These tools include rhythm, rhyme, repetition, alliteration, onomatopoeia, similes, metaphors, sensory images etc

Generally not used





Why Change?

17 05 2013

Reading is the process of constructing meaning through the dynamic interaction among the reader’s existing knowledge, the information suggested by the written language, and the context of the reading situation. (Michigan State Board of Education, 2002)

MH900078812When you reflect upon your childhood reading instruction, what stands out? Was it memorable? Exciting? Meaningful? Did you love to read and devour books? Did you know how to grapple with difficult text? Did anyone show you how to get deeper into the text? Did you spend time exploring the depth and wonders of stories? Unfortunately for me, the answer to all these questions was no. I don’t recall reading being challenging or purposeful beyond the task at hand. I remember independent reading tasks where we plowed our way through the SRA leveled text box. We started at a specific color of story, read the stories and answered the questions, and when we got enough right, then we moved on to the next color. This was of course self-corrected with an answer key, self-monitored, and self-reported. I remember getting stuck on brown, and being frustrated that I was on a level while others were passing me. I also remember eventually cheating to move on. I didn’t have the comprehension strategies to help me when things got tough, but I did have an answer key. I also remember that we did have reading groups, and I was stuck in the middle one and couldn’t get out. I always felt I belonged in the highest group, but didn’t have a way of moving.

I am sharing this story because I often hear people lament about change. “Why do we need to change education? It worked for me.” And while yes, I am technically a success story because I did stay in school and become an educator myself, I disliked school growing up. I loved my teachers, but counted down the years until I would be finished. Ironically, I have now learned that I will never be finished. Now I do love learning, but when I was a child, school was not about learning, but rather about finishing. I was not a critical thinker, and it was not demanded of me. If I regurgitated what was taught, then I was awarded good grades. I never thought about reading comprehension until I became a teacher. Reading is so internal, it is just what you do, or so I thought.

So much research has come out about reading in the past 20 years, which has often been lost in implementation in the last 10 years due to scripted lessons. Many teachers across America have been forced into following set programs in published textbooks, rather than examining the needs of the students in their classrooms. These texts, such as Open Court, give little time to differentiation, reading aloud, or access to higher level texts. Instead of student learning being the focus of each reading lesson, the script created by someone far outside the classroom dictates what should be taught. Clearly this is counterintuitive to what teaching should be. The strongest supported reading program by the government, Reading First, is another example of a highly scripted program. These types of programs were developed based on the recommendations of a highly researched based practices found in the National Reading Panel’s (NRP) Report from 2000. Scripted lessons became the result of the NRP, although many flaws have since emerged from the summary of the findings within the report (Yearian, 2011). Since implementation of Reading First in thousands of classrooms, it has been found that while phonics skills improved, comprehension did not. (Gamse et al., 2008).

With the adoption of Common Core Standards, there is a much needed refocusing back on reading comprehension. Teachers are encouraged to examine their students’ needs within school sites and develop instruction that will be most meaningful for those students. For many teachers, this will be a huge shift from the current culture and practices within their schools and districts. While you may or may not agree with how Common Core came about, and how it was written, it seems to me that some change could really do us good.

References

Gamse, B.C., Jacob, R.T, Horst, M., Boulay, B., and Unlu, F. (2008). Reading First Impact Study Final Report Executive Summary (NCEE 2009-4139). Washington, DC: National Center for Education Evaluation and Regional Assistance, Institute of Education Sciences, U.S. Department of Education.

Yearian, S. J. (2011). Empowerment of Teachers and Students through Innovative Literacy Practices. (Doctoral Dissertation) Retrieved from ProQuest Dissertations and Theses. (Accession Order No. AAT 3474300).





Perception and the Truth

10 05 2013

snail_riding_turtle-273Many credit Lee Atwater with the quote, “Perception is reality.” And when viewing your own life, does this not ring true? One would never consider a turtle to be a speedy creature, but then again, that depends on who is doing the considering.

Perspectives have much to do with experiences, schema, and interpretation. Author’s bring their own unique perspectives to the texts they write. They select what they will reveal to the reader explicitly and implicitly, how the text will be organized, and how their point of view will be carried out. Often the author’s own ideas begin as incomplete thoughts, twisting and turning through the process of writing, changing and evolving until they come out the other side into a cohesive whole. At times, the characters of novels reveal themselves to the authors through the storytelling, and take on a life of their own, and yet, the author still has command over what will be revealed through the character’s dialogue, actions, and thoughts. Despite all this control, readers develop their own interpretation based upon the evidence within the text, but also their own personal perspectives. Other experiences with texts, the world, and other people affect how they view what the author reveals. Therefore, readers apply their own connections to develop their own perspective, but must also examine the evidence within the text to understand what the author directly reveals as well as infer to gain meaning from underlying messages, ideas, and themes.

Common Core emphasizes the importance of point of view, devoting standard six for Reading Literature and Informational Text to this concept. Why is it so significant? Understanding the role of point of view allows the reader to think critically about a piece. What are the author’s motives and purposes in writing a text? What context or historical background does the author emerge from? How does this affect the portrayal of events? Readers must understand the effects of their own perceptions and the author’s point of view in order to get at the truth of what they are reading. Even then, that gets us to a deeper question – what is the truth?

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Thank a Teacher!

3 05 2013

It’s that time of year again, when everyone can smell the freedom of summer. The students begin to get antsy, and teachers stress and work intensively to make it to the end zone. I always feel like it should be an easy slide home, but it always proves to be just as hectic as the beginning of the year. Now is the time to thank teachers for their hard work. I have heard complaints before about how other jobs do not get the same type of accolades, so why should teachers? My response is as follows:

People deserve and perform better through positive recognition of their efforts and work. It’s amazing how far a few kind words and a token of gratitude can go. All people who show exemplary dedication to their work deserve this recognition. This includes mothers  and fathers (who yes, get a different day), and employees in all different fields. So why do I celebrate my son’s teachers? They are the ones who take care of him when I am not there. They give him the support he needs to grow and flourish, teach him lessons about life, and are an integral part of his experiences. A good teacher can have a profound effect on a child. With the proper guidance from both school and home, my son will develop solid foundations as he grows up. His teachers are my partners, parenting from a different perspective.

As a teacher, I know how much of myself goes into my students. It is not just about reading, math, and writing. There are daily lessons about becoming caring human beings, about demonstrating tolerance and love, and about dealing with difficulties and conflicts. Teaching is not just about improving the minds of America’s tomorrow. Tightly woven within the job is supporting impressionable young scholars’ social, emotional, and mental well-being. It is both exhausting to worry about 30+ students, and exhilarating to see their successes.

photoMy son and I made this craft to give his teacher, but also a heartfelt personal note from me along with a gift. I wrote the poem thinking about what his teachers have done for him this year. First we traced his hands on a piece of construction paper and I added a heart. Then I cut out the hands and saved them for later. We used a sponge to paint pink and white to cover a white piece of construction paper. Then I put the cut out hands and heart on top of the page and we sponge painted with purple on top. When we were finished, we just peeled off the hands. After it dried, I glued down the poem and a picture of my son. This page went into a class book along with a page of his drawings.

The notes I get from students and parents help carry me through the rough times. They remain special even as they have moved on in their lives. I encourage you to take some time to think about your child’s teacher from this year. What has that teacher uniquely done that has made a difference for your child?